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Offline FiveT  
#1 Posted : 24 April 2026 00:45:43(UTC)
FiveT
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20/05/2026
Pop, Eurodance, Dance Pop, Rap, 90s'/00s' Influences, Latin Pop
Five Pesky Kids


β€œThe Show Must Go On” is the second studio album by The Jollies, arriving nearly six years after their debut in 2020. The album is released on May 20th through Five Pesky Kids, the label run by Weekend, marking a new chapter for the group as both artists and collaborators.

It represents a defining moment for The Jollies β€” not just as a group, but as individuals learning how to exist both on and off the stage. Following the success of their debut album "Squad Goals" during pandemic and a more quiet period of hiatus, the album was born out of a need to process what it really means to keep going when the spotlight doesn’t dim.

At its core, the record explores duality: performance versus reality, public image versus private identity. It leans into the idea that even when things feel uncertain, messy, or overwhelming, the show β€” in every sense of the word β€” must go on. But instead of framing that as something purely heroic, The Jollies approach it with honesty, irony, and moments of vulnerability.

A major influence behind the album comes from their shared experience of growing up in the late ’90s and early 2000s as millennials. That nostalgia subtly weaves through the project β€” from references to things like Pokémon to arcade culture β€” not just as aesthetic choices, but as emotional anchors. Those years shaped their way of connecting, escaping, and dreaming, and that energy carries into the album’s themes of identity and belonging.

More than anything, The Show Must Go On is an album about friendship. About staying together through highs and lows, about learning how to support each other when things aren’t as effortless as they once seemed. It captures the dynamic of a group that doesn’t just perform together, but grows together β€” navigating pressure, change, and expectations as a team.

Because in the end, the show doesn’t go on because everything is perfect β€” it goes on because they choose to face it together.

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BACKGROUND


In Spring 2025, following a series of low-key reunions, the group began meeting in secret to discuss new plans β€” not just occasional collaborations, but a genuine return to working as a group rather than as separate individuals.

Over the years, each member had taken a different path. David immersed himself in the nerd and digital space, working across voice acting and online content tied to worlds like Dungeons & Dragons, gaming, and card games. Rose entered a new chapter of her life, becoming a mother. Zafari relocated to the United States, focusing on his career in radio. Fabriano remained deeply rooted in the fashion industry, while Natasha stepped away from the spotlight to take time for herself.

Despite the distance and diverging paths, their friendship never truly disappeared β€” though, like any long-standing bond, it experienced its share of highs and lows over time.

David and Natasha remained the most consistent point of contact, often reconnecting with Fabriano and Rose as well. Zafari, having moved away from the UK, had fewer opportunities to be physically present, maintaining a quieter but steady connection, particularly with Fabriano.

The real turning point came unexpectedly. The group found themselves reunited at the wedding of David’s brother Luke β€” someone who shared a close relationship with both Zafari and Fabriano. What began as a simple occasion quickly reignited something deeper: a sense of familiarity, spontaneity, and chemistry that had never fully faded. From that moment on, they started reconnecting more regularly, rediscovering a friendship that had been dormant, but never lost.

Meeting after meeting, what started almost as a joke gradually turned into something more tangible. Early song ideas began to surface, followed by the first informal recording sessions. There was still a degree of skepticism β€” their lives had taken such different directions that a full return felt uncertain.

Yet the drive to create came naturally. It was fueled by nostalgia for the period they had shared during the pandemic, by a new awareness of how much they had grown, and by a renewed ability to enjoy the process without the same pressures as before. On a more practical level, it also made sense β€” allowing them to balance group work alongside their individual projects in a more sustainable way.

Ultimately, what made it work was something simpler: their chemistry, and the authenticity of their connection.

The group chose to move forward without revisiting the exact reasons behind their initial breakup. Rather than reopening old chapters, they focused on what was ahead. In Summer 2025, The Jollies quietly returned to the music scene, embracing once again the light, playful pop identity that had first captured their audience between 2019 and 2021 β€” this time with a deeper sense of awareness and intent.



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Edited by user 07 May 2026 20:42:40(UTC)  | Reason: Not specified


The Jollies - TheJollies.com
David Hernandez πŸ‘±πŸ», Natasha Stanovski πŸ‘©πŸ»β€πŸ¦°, Fabriano Galore πŸ‘¨πŸ», Zafari Mari πŸ§‘πŸΎβ€πŸ¦±, Rose Hemsworth πŸ‘±πŸ»β€β™€οΈ

Real life X (twitter) RP accounts:
@The__Jollies, @RoseyHem, @DavidPowerUp, @Natashavski, @CallMeZafa
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---------
OTHER ACTS
Titans (Laurence, Jo, Martina, Den, Tanya)
Kegan Dawson - Actor, presenter, radio speaker, model, showman
Cj Frankson - Youtuber, Actor, model, showman
Rashai Mari - Model, Dj
Igor Stanovski - Russian tycoon, businessman
Claire Becker - Writer, vocal coach, presenter, radio speaker
Augusto Lincoln - Enterpreneur, model, manager
Lukas Paradiso - Model, Actor


Check out my 3D Art - ZeusAnima3D

thanks 5 users thanked FiveT for this useful post.
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Offline FiveT  
#2 Posted : 24 April 2026 02:45:55(UTC)
FiveT
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β€œDragostea Din Tei” is The Jollies’ reinterpretation of the iconic 2003 hit by O-Zone. Chosen as the album’s opening statement, the track works almost like a gateway into the world and themes of The Show Must Go On.

Rather than delivering a straightforward cover, the group reshapes the song to fit their own narrative. Certain verses are trimmed, while new English lines are introduced, shifting the meaning away from romantic love and toward something more intimate and personal: friendship. In this version, the song becomes a reflection of reconnection β€” a subtle, almost autobiographical nod to their journey back to each other after years apart.

The track also taps deeply into millennial nostalgia. As one of the defining European hits of the early 2000s, Dragostea Din Tei carries a cultural weight that resonates with the band’s formative years. Its inclusion is not accidental, but part of a broader sonic thread running through the album β€” one shaped by the music, aesthetics, and escapism of that era.

Musically, The Jollies push the song further into an energetic Eurodance direction, blending it with elements reminiscent of Japanese anime opening themes. This hybrid approach reinforces the group’s playful identity, merging pop sensibilities with subtle nerd-inspired influences that have always been part of their DNA.

Vocally, the track is built around a shared structure, with lines distributed across all five members. However, in contrast to their usual distinct vocal identities, their voices are intentionally blended and smoothed into a more unified texture β€” a stylistic choice typical of dance music, where cohesion often takes precedence over individuality. Rose remains the one to have a bit more vocal presence due to her soft, pleasing vocal tone that fits the chill sound.

While Fabriano takes on fewer vocal moments, his presence is strongly felt behind the scenes. Having recently developed a growing interest in DJing and music production, he is believed to have played a key role in shaping the track’s sound, giving it a polished, club-ready edge that sets the tone for the rest of the album.

In this context, Dragostea Din Tei becomes more than a nostalgic throwback β€” it’s a reintroduction, a shared memory reworked into something current, and a statement of intent: the past is still there, but it’s being rewritten together.


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πŸ‘©πŸΎβ€πŸ¦² Zafari · πŸ‘©πŸ»β€πŸ¦° Natasha · πŸ‘±πŸ»β€β™€οΈ Rose · πŸ‘±πŸ»β€β™‚οΈ David · πŸ‘¨πŸ» Fabriano


πŸ‘±πŸ»β€β™€οΈ
Ma-ia-hii, ma-ia-huu
Ma-ia-hoo, ma-ia-haa
Ma-ia-hii, ma-ia-huu
Ma-ia-hoo, ma-ia-haa
πŸ‘¨πŸ»
Ma-ia-hii, ma-ia-huu
Ma-ia-hoo, ma-ia-haa
πŸ‘±πŸ»β€β™€οΈπŸ‘¨πŸ»
Ma-ia-hii, ma-ia-huu
Ma-ia-hoo, ma-ia-haa


πŸ‘±πŸ»β€β™‚οΈ
Alo, salut
It's me, an outlaw
And please, my friend
πŸ‘±πŸ»β€β™€οΈπŸ‘±πŸ»β€β™‚οΈ Receive happiness

πŸ‘±πŸ»β€β™€οΈ Alo, alo, sunt eu, Picasso
πŸ‘±πŸ»β€β™‚οΈ I gave you a "beep" and I'm strong
But you must know I'm asking nothing

πŸ‘©πŸΎβ€πŸ¦² · πŸ‘©πŸ»β€πŸ¦° · πŸ‘±πŸ»β€β™€οΈ · πŸ‘±πŸ»β€β™‚οΈ· πŸ‘¨πŸ»
You want to leave but don't take, take, take me
You don't, don't, don't take me, you don't take me with you
Your face and the love under dragostea din tei
I remember your eyes
You want to leave but don't take, take, take me
You don't, don't, don't take me, you don't take me with you
Your face and the love under dragostea din tei
I remember your eyes


πŸ‘©πŸ»β€πŸ¦° I'll call you, let me tell you, how I feel now
πŸ‘©πŸΎβ€πŸ¦² Alo, my friend, πŸ‘©πŸ»β€πŸ¦° it's me, happiness

πŸ‘©πŸΎβ€πŸ¦² Alo, alo, sunt eu, Picasso
πŸ‘©πŸ»β€πŸ¦° I gave you a "beep" and I'm strong
But you must know I'm asking nothing

πŸ‘©πŸΎβ€πŸ¦² · πŸ‘©πŸ»β€πŸ¦° · πŸ‘±πŸ»β€β™€οΈ · πŸ‘±πŸ»β€β™‚οΈ· πŸ‘¨πŸ»
You want to leave but don't take, take, take me
You don't, don't, don't take me, you don't take me with you
Your face and the love under dragostea din tei
I remember your eyes
You want to leave but don't take, take, take me
You don't, don't, don't take me, you don't take me with you
Your face and the love under dragostea din tei
I remember your eyes


πŸ‘±πŸ»β€β™€οΈ
Ma-ia-hii, ma-ia-huu
Ma-ia-hoo, ma-ia-haa
Ma-ia-hii, ma-ia-huu
Ma-ia-hoo, ma-ia-haa
πŸ‘¨πŸ»
Ma-ia-hii, ma-ia-huu
Ma-ia-hoo, ma-ia-haa
πŸ‘±πŸ»β€β™€οΈ
Ma-ia-hii, ma-ia-huu
Ma-ia-hoo, ma-ia-haa
πŸ‘¨πŸ»
Ma-ia-hii, ma-ia-huu
Ma-ia-hoo, ma-ia-haa


πŸ‘©πŸΎβ€πŸ¦² · πŸ‘©πŸ»β€πŸ¦° · πŸ‘±πŸ»β€β™€οΈ · πŸ‘±πŸ»β€β™‚οΈ· πŸ‘¨πŸ»
You want to leave but don't take, take, take me
You don't, don't, don't take me, you don't take me with you
Your face and the love under dragostea din tei
I remember your eyes
You want to leave but don't take, take, take me
You don't, don't, don't take me, you don't take me with you
Your face and the love under dragostea din tei
I remember your eyes



Edited by user 29 April 2026 03:38:15(UTC)  | Reason: Not specified


The Jollies - TheJollies.com
David Hernandez πŸ‘±πŸ», Natasha Stanovski πŸ‘©πŸ»β€πŸ¦°, Fabriano Galore πŸ‘¨πŸ», Zafari Mari πŸ§‘πŸΎβ€πŸ¦±, Rose Hemsworth πŸ‘±πŸ»β€β™€οΈ

Real life X (twitter) RP accounts:
@The__Jollies, @RoseyHem, @DavidPowerUp, @Natashavski, @CallMeZafa
UserPostedImage


---------
OTHER ACTS
Titans (Laurence, Jo, Martina, Den, Tanya)
Kegan Dawson - Actor, presenter, radio speaker, model, showman
Cj Frankson - Youtuber, Actor, model, showman
Rashai Mari - Model, Dj
Igor Stanovski - Russian tycoon, businessman
Claire Becker - Writer, vocal coach, presenter, radio speaker
Augusto Lincoln - Enterpreneur, model, manager
Lukas Paradiso - Model, Actor


Check out my 3D Art - ZeusAnima3D

thanks 5 users thanked FiveT for this useful post.
2001clay on 24/04/2026(UTC), BrownSugar on 24/04/2026(UTC), PANIC! on 24/04/2026(UTC), C4AJoh on 24/04/2026(UTC), AmyJayneXoX on 25/04/2026(UTC)
Offline FiveT  
#3 Posted : 29 April 2026 03:37:21(UTC)
FiveT
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β€œEdelweiss” is The Jollies’ marks a playful yet emotional chapter in the group’s journey, reminiscent of carefree youth, neon lights and late nights that never really end.

Written during a period of reflection and reunion, Edelweiss was born from memories that all five members share: a small bar that slowly turns into a bowling alley, an arcade room, a safe place where time seems to stop. A place where you go after work, after school, after life hits hard β€” and suddenly you’re young again.

The song tells the story of a group of friends who keep coming back to the same spot, year after year. No matter how old they get, no matter how much changes outside, inside that place they are still laughing, teasing each other, playing games, eating cheap burgers, flirting, dreaming. It’s not about being wild β€” it’s about feeling light again.

Sonically, Edelweiss leans into a bouncy, ironic dance groove with spoken moments, catchy hooks and an almost nostalgic club rhythm. The track feels casual, spontaneous and honest, just like the nights it describes. The influence of playful European pop and tongue-in-cheek lyrics gives the song its distinctive character.

The vocals are shared between all five members, often overlapping and interrupting each other, creating the feeling of a loud group conversation rather than a traditional pop performance. Laughter, ad-libs and shouted phrases are intentionally left in, reinforcing the idea that this song is a memory more than a performance.

As David Power Hernandez explained:
β€œSome places grow old with you. Others keep you young. That’s what Edelweiss is about. No matter the circumstances or the difficulties you are taking with you in whatever phase of your life you are. Just have fun.”

Natasha Stanovski added:
β€œIt’s that bar where you don’t care how you look, where everyone knows your name, where you remember who you were β€” and realize you still are.”

Zafari explains more:
"Man, we wanted to put out there something that was about old friends getting together in a place that made feel good. So there's nods to our 90s' world as well, it's like now we gettin' older, but not forgetting who we are.

Rose Hemsworth closed by saying:
Edelweiss feels like a gentle reminder β€” like someone taking your hand and saying, β€˜It’s okay to laugh, it’s okay to play, it’s okay to feel light again.’ Those moments are precious.”


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πŸ‘¨πŸ» Fabriano · πŸ‘±πŸ»β€β™€οΈ Rose · πŸ‘©πŸΎβ€πŸ¦² Zafari · πŸ‘©πŸ»β€πŸ¦° Natasha · πŸ‘±πŸ»β€β™‚οΈ David


πŸ‘¨πŸ»
Mom, I
Blew my cash on the sneakers
Been at a rave in Geneva
And danced with random people, slept in someone's head
(πŸ‘±πŸ»β€β™‚οΈ Nice to meet you)
No, now
Don't tell auntie Lisa
She is posting it on Insta
And says I date a real diva, who she calls my β€œlove”
(πŸ‘±πŸ»β€β™‚οΈ It's true though)
Well, she...

πŸ‘©πŸ»β€πŸ¦°
She's got that cherry lip gloss drama
Born in '99 but acts like Nirvana
Tells me 'life's a meme', she still... πŸ‘±πŸ»β€β™€οΈ she still lives in pajamas

πŸ‘©πŸΎβ€πŸ¦²
Don’t grow old, make some gold
Tamagotchi on your necklage
We don't pray, we manifest
Partying 'till we're at breakfast

Bowling shoes, neon lights
Tekken fights, wrong choices right
No matter when, no matter where
πŸ‘±πŸ»β€β™€οΈ Edelweiss, I'll meet you there


{instrumental beat}


πŸ‘±πŸ»β€β™‚οΈ
I was raised on VHS
Now I flex baggy sweats
Got a walkman, not a Rolex (πŸ‘¨πŸ» Not me)
I've been dodging all the grown-ex
In the club with flip phones
Playing Snake like king zones
While they scroll through fake clones
I'm out searching Dragon balls spheres

πŸ‘©πŸ»β€πŸ¦°
Mom says "What's your plan?"
Told her "Freedom, fun, bubblegum"
I don't need no 9 to 5
I just need to... πŸ‘±πŸ»β€β™€οΈ need to feel alive

πŸ‘©πŸΎβ€πŸ¦²

Don’t grow old, make some gold
Tamagotchi on your necklage
We don't pray, we manifest
Partying 'till we're at breakfast

Bowling shoes, neon lights
Tekken fights, wrong choices right
No matter when, no matter where
πŸ‘±πŸ»β€β™€οΈ Edelweiss, I'll meet you there


{instrumental beat}

πŸ‘±πŸ»β€β™€οΈ
Skating on my past regrets
Writing dreams in floppy disks
We eat burgers, they all understand
Pixel hearts in second hand
Broken plans, but still we stand

πŸ‘©πŸΎβ€πŸ¦²

Don’t grow old, make some gold
Tamagotchi on your necklage
We don't pray, we manifest
Partying 'till we're at breakfast

πŸ‘©πŸΎβ€πŸ¦²πŸ‘¨πŸ»πŸ‘±πŸ»β€β™‚οΈπŸ‘©πŸ»β€πŸ¦°
Bowling shoes, neon lights
Tekken fights, wrong choices right
No matter when, no matter where
πŸ‘±πŸ»β€β™€οΈ Edelweiss, I'll meet you there


{instrumental beat}



SOUNDS LIKE





The Jollies - TheJollies.com
David Hernandez πŸ‘±πŸ», Natasha Stanovski πŸ‘©πŸ»β€πŸ¦°, Fabriano Galore πŸ‘¨πŸ», Zafari Mari πŸ§‘πŸΎβ€πŸ¦±, Rose Hemsworth πŸ‘±πŸ»β€β™€οΈ

Real life X (twitter) RP accounts:
@The__Jollies, @RoseyHem, @DavidPowerUp, @Natashavski, @CallMeZafa
UserPostedImage


---------
OTHER ACTS
Titans (Laurence, Jo, Martina, Den, Tanya)
Kegan Dawson - Actor, presenter, radio speaker, model, showman
Cj Frankson - Youtuber, Actor, model, showman
Rashai Mari - Model, Dj
Igor Stanovski - Russian tycoon, businessman
Claire Becker - Writer, vocal coach, presenter, radio speaker
Augusto Lincoln - Enterpreneur, model, manager
Lukas Paradiso - Model, Actor


Check out my 3D Art - ZeusAnima3D

thanks 4 users thanked FiveT for this useful post.
C4AJoh on 29/04/2026(UTC), 2001clay on 29/04/2026(UTC), AmyJayneXoX on 30/04/2026(UTC), BrownSugar on 08/05/2026(UTC)
Offline FiveT  
#4 Posted : 07 May 2026 20:31:10(UTC)
FiveT
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Groups: Registered
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β€œIbiza Playa” is one of the album’s most playful tracks, blending light Latin-inspired elements with the vibrant Dance Pop sound that defines much of The Show Must Go On. While sonically energetic and carefree on the surface, the song carries a more satirical undertone beneath its summery atmosphere.

Lyrically, the track pokes fun at modern social stereotypes and the growing pressure to conform to increasingly uniform online standards β€” a theme The Jollies have explored throughout their career. The group had previously approached similar ideas in songs such as Valeur, though Ibiza Playa takes a noticeably sharper and less political route, leaning more into irony, sarcasm, and self-awareness.

Rather than directly attacking anyone, the song exaggerates certain modern attitudes surrounding image culture, superficiality, and performative lifestyles, particularly within online spaces. In typical Jollies fashion, the criticism is wrapped in humor, catchy hooks, and an intentionally over-the-top summer aesthetic.

β€œI’m not sure if this song is going to start online drama, but we had a lot of fun recording it,”
David joked during one of his recent livestreams while discussing the track.
β€œI think we were especially nervous the day we recorded it… We had just reunited as a group and kept asking ourselves: how do you even come back? Do we really have to follow trends now?”

Zafari expanded on the same livestream:

β€œWe weren’t trying to follow TikTok trends β€” if anything, we wanted to start them. You get what I mean? The Jollies are called that because of our five different personalities, not just because of the music. We want to have fun, but if we have to constantly follow this and that, then it stops feeling real.”


A more realistic Natasha also adds "We cannot deny though that this song also makes a parody for us too. When it talks about open shirts (Looks at David) or costant dieting and posing for cameras (looks at Fabriano) well, I think we're in this circle too sometimes. It'd be nice to break free from it maybe?"


Vocally, Ibiza Playa is not necessarily considered one of the group’s most technically ambitious performances, but that was never the song’s intention. What stands out most are the massive, tightly layered choruses β€” almost stadium-like in execution β€” a signature trait that has long defined The Jollies’ sound.

Those harmonies are particularly elevated by the stronger vocal presence of Zafari and Natasha, while Fabriano and David provide a steadier lower foundation beneath them. The result is a chorus designed less around vocal showmanship and more around collective energy.

Still, what most listeners will likely remember is the infectious instrumental core of the song: the instantly recognizable Latin-inspired melody colliding with heavy dance percussion and pulsing basslines. The track embraces the chaotic, flashy atmosphere it critiques β€” making it almost impossible not to move along with it.



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πŸ‘±πŸ»β€β™‚οΈ David · πŸ‘©πŸΎβ€πŸ¦² Zafari · πŸ‘¨πŸ» Fabriano · πŸ‘±πŸ»β€β™€οΈ Rose · πŸ‘©πŸ»β€πŸ¦° Natasha


πŸ‘±πŸ»β€β™€οΈ
Everybody is glowing orange, in the sunset light
Turkey teeth shining like a traffic sign
Talking crypto, abs and zodiac signs
Same three topics every single night

πŸ‘±πŸ»β€β™‚οΈ
One more shirt open down to the stomach line ( πŸ‘©πŸΎβ€πŸ¦² It's hot)
One more selfie with the β€œaccidental” wine
You say β€œdeep talk”, then you ask my sign
Baby, tell me something with a working mind
’Cause honestly

πŸ‘©πŸΎβ€πŸ¦²
Botox parties getting kinda old now
Everybody looking like the same clone somehow
If your whole personality’s a six-pack
Then what happens when the beach shuts down?


πŸ‘©πŸ»β€πŸ¦°πŸ‘±πŸ»β€β™€οΈπŸ‘¨πŸ»πŸ‘©πŸΎβ€πŸ¦²πŸ‘±πŸ»β€β™‚οΈ
Woh-oh, Ibiza Playa
Posing for the camera
Woh-oh, Ibiza Playa
Thank God for that salad


πŸ‘¨πŸ»
He says β€œbaby girl, come sit on my Vespa”
But can’t name one book outside of Tesla
She got lip filler bigger every semester
But asks if Picasso played for Barcelona

πŸ‘©πŸ»β€πŸ¦°
At the rooftop bar them slogans
β€œManifest it”, β€œCEO”, β€œsoft launch”
Talking passions is the new hot flavor
Teach me something, show behavior
flirting like some transaction
But nobody got a real obsession
And somehow that’s the sexiest thing I’ve seen
In a place full of plastic chemistry

πŸ‘©πŸΎβ€πŸ¦²
Botox parties getting kinda old now
Everybody looking like the same clone somehow
If your whole personality’s a six-pack
Then what happens when the beach shuts down?


πŸ‘©πŸ»β€πŸ¦°πŸ‘±πŸ»β€β™€οΈπŸ‘¨πŸ»πŸ‘©πŸΎβ€πŸ¦²πŸ‘±πŸ»β€β™‚οΈ
Woh-oh, Ibiza Playa
Posing for the camera
Woh-oh, Ibiza Playa
Thank God for that salad



πŸ‘±πŸ»β€β™€οΈ Fake tan glowing like a traffic light
πŸ‘©πŸ»β€πŸ¦° Three gold chains and a linen shirt too wide
πŸ‘±πŸ»β€β™€οΈ Talking soulmates after one tequila Sprite
πŸ‘©πŸ»β€πŸ¦° Then forgetting everybody by the morning light
πŸ‘±πŸ»β€β™€οΈ Like a divorced magician from the seventies
πŸ‘©πŸ»β€πŸ¦° If your whole personality’s a six-pack
πŸ‘±πŸ»β€β™€οΈ Then what happens when the beach shuts down?

πŸ‘©πŸ»β€πŸ¦°πŸ‘±πŸ»β€β™€οΈπŸ‘¨πŸ»πŸ‘©πŸΎβ€πŸ¦²πŸ‘±πŸ»β€β™‚οΈ
Woh-oh, Ibiza Playa
Posing for the camera
Woh-oh, Ibiza Playa
πŸ‘±πŸ»β€β™€οΈThat’s the hottest thing that nobody imagined



[b]SOUNDS LIKE





The Jollies - TheJollies.com
David Hernandez πŸ‘±πŸ», Natasha Stanovski πŸ‘©πŸ»β€πŸ¦°, Fabriano Galore πŸ‘¨πŸ», Zafari Mari πŸ§‘πŸΎβ€πŸ¦±, Rose Hemsworth πŸ‘±πŸ»β€β™€οΈ

Real life X (twitter) RP accounts:
@The__Jollies, @RoseyHem, @DavidPowerUp, @Natashavski, @CallMeZafa
UserPostedImage


---------
OTHER ACTS
Titans (Laurence, Jo, Martina, Den, Tanya)
Kegan Dawson - Actor, presenter, radio speaker, model, showman
Cj Frankson - Youtuber, Actor, model, showman
Rashai Mari - Model, Dj
Igor Stanovski - Russian tycoon, businessman
Claire Becker - Writer, vocal coach, presenter, radio speaker
Augusto Lincoln - Enterpreneur, model, manager
Lukas Paradiso - Model, Actor


Check out my 3D Art - ZeusAnima3D

thanks 5 users thanked FiveT for this useful post.
2001clay on 07/05/2026(UTC), C4AJoh on 07/05/2026(UTC), erich hess on 07/05/2026(UTC), BrownSugar on 08/05/2026(UTC), AmyJayneXoX on 10/05/2026(UTC)
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