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Offline BrownSugar  
#1 Posted : 20 January 2026 19:25:26(UTC)
BrownSugar
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Artist: Danse
Title: Perpetual Panopticon
Genre(s): Country, Americana, Rockabilly, Soft Rock
Length: 20:14
Writers: Danse Honeyman
Producers: Danse Honeyman
Executive Producer: Danse Honeyman
Format(s): Streaming, Digital Download
Label: Independent
Management: Velour Management
Singles: Scar Tissue [#2], Other Side of Town [#2]



BACKGROUND & INFORMATION

Perpetual Panopticon is the debut extended play by American singer-songwriter and multi-instrumentalist Danse. It is set to be released independently to all streaming platforms and digital music retailers on January 23rd, 2026. The EP was created and released in response to Honeyman's rapid and unexpected success, following his viral rise throughout 2025 and celebrating the high chart placements of his first two singles. Branded as a "gift" to fans, Honeyman compiled the small extended play to formally house his hit singles as well as share songs he claims to be "immensely proud of" - creating an opportunity to release them before turning his attention to creating a new full length project. The EP is based in Country music although blends elements of many other genres such as Rockabilly, Americana and Soft Rock. All tracks were written, composed and produced by Honeyman himself.

The title "Perpetual Panopticon" is lifted from a line in his second single and the EP's opening track "Other Side of Town" where Honeyman sings; "Some of these terms aren't even in your lexicon / And when word gets out, you'll be in a perpetual panopticon". The titling also doubles as an allusion to Honeyman's growing star and overnight rise to fame and success, acknowledging that many fans and spectators are now watching his every move and that his life will now lack a certain sense of privacy going forward now that he is becoming a public figure. A panopticon is a design of institutional building with an inbuilt system of control featuring a central observation tower, allowing guards or spectators to observe 360° with unobscured surveillance.




MUSIC & LYRICS

"Perpetual Panopticon" is a Country music project that fuses elements of multiple other genres which Danse is an avid fan of. Glimmers of rockabilly, rock and roll, Americana, bluegrass, soft rock and yacht rock can be heard woven throughout the project, touching on many sonic bases despite the short track listing. Critics have highlighted and noted a "nostalgic" and "instantly familiar" feeling to the soundscape of Honeyman's music. A self-proclaimed "student of music", Danse has admitted that the bulk of his musical inspirations and influences come from his parents' record and cassette collection, mainly focusing on the analogue eras of the 1950's through 1970's. A multi-instrumentalist, Honeyman composes his music in its entirety.

Commentators have highlighted and applauded Danse's lyricism, with many noting that the hallmarks of Honeyman's compositions are his "eloquent and varied vocabulary" as well as his "vivid and enthralling storytelling". Throughout the EP, Danse touches on numerous subjects such as domestic abuse, infidelity, grief, denial, love, pain and societal commentaries. His highly-acclaimed debut single "Scar Tissue" is the only track included on the release in which Danse explores and shares a very true, personal story and recollection of events while the remaining three tracks see him approach song-writing in his classic storyteller angle.

The opening track "Other Side of Town" tells the story of a newlywed man in a heterosexual marriage who is secretly gay and lives an undercover double life. While the track speaks about infidelity and betrayal, there is also a spotlight shone on the societal "shame" that is attached to homosexuality in the present day South. "The Carson Conundrum" is a comical, anecdotal track which sees Danse recant a tale of a local man who is unaware of just how disliked he is by everyone around him. Lead single "Scar Tissue" tackles the subject of male-on-male domestic abuse, drawing on Honeyman's own experiences of a violent 8 year relationship. The track garnered acclaim for its subject matter and earned co-signs from domestic abuse charities and organisations. Closing track "Blueberry" is a ballad which tells the story of an ageing beauty queen who has experienced a lot of personal loss over the years and is desperately clinging onto her memories with a yearning to regress to her childhood days. It focuses heavily on the themes of grief, mortality and the passage of time.



COMMENTARY

Prior to the release of the EP, Danse took to his official website to formally announce the project's impending arrival. He spoke on the EP's celebratory theme, deciding to release it off the back of the success of "Other Side of Town". Honeyman also stated that he is working towards the creation of a full-length album and wishes to release these songs as a way of tiding new and interested fans over until his debut LP is completed.

Danse wrote:
Howdy!

The numbers have just came in and I'm truly and utterly blown away by the response and reception towards "Other Side of Town". When I released my first ever single, I did not have the foresight to envision what it would go on to become. I didn't think anyone outside of a small circle would hear it. When "Scar Tissue" went viral, I believe I was incredibly lucky and that the Gods of music shone down on me that day. It was the universe handing me something nice in return for the hellscape that was the decade prior. I truly believed it was a one and done scenario so for my follow up release to be met with just as much love and support, I can't quite verbalize just how humbling that is. Thank you so much for sending "Other Side of Town" up the charts. It's a tad daunting to know that I'm now building expectations and demands for myself but I'm trying my best to usher those feelings off to the side and bask in the positive glow. Thank you.

As a way of showing my appreciation for all of your support, I have decided to release a little four-track EP this coming Friday. Can't quite believe I'm saying this but my first ever project "Perpetual Panopticon" is available to pre-order and pre-save on all of your favorite streaming platforms. I'm of a certain age so I'd love to do physical copies but alas, I don't quite have the budget. I'm independent and the streaming royalties pays peanuts. Perhaps one day I can produce some CDs and vinyl for the 5 people who still care about that sort of thing. I digress.

"Perpetual Panopticon" is a collection of four tracks that I have had in my vault for quite some time that I have been itching to share. I've been writing and recording for a number of years now and as we speak I am in the studio with the intention of creating a full-length project. The more I create, the more songs get put on the backburner and sacrificed when it comes to whittling down an album track listing. I wanted to give these songs a chance to see daylight as I love them dearly and feel as though they deserve a moment of their own. I hope you will find joy in them and that it serves as a substantial snack before the main course of a full-length LP.

Thank you all for your continued support.

All my love,
Danse




TRACK LISTING

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Edited by user 22 January 2026 23:56:17(UTC)  | Reason: Not specified


WEEKEND: BILLY • DUSTYN • OSCAR • RILEY • SCOTT
THE STAT NERDS: BRIAN • CHRISTOPHER
THE ZONE: BLAKE • CHRIS • JASON • LIAM

JOSHUA GRIMMIE • LINCOLN • LAYLA • MERCEDES • MICHELLE GREEN
ANDREA • DENEIL • CHICAGO NOBODY • DANSE • ELLIE-GRACE SUMMERS
REUBEN • VICTORIA BLACK • MICAH DELISLE • BLOOM • KHALIL
JAMIE JACKSON • BEAR • PARKER

CHART HEAT • PESKY • HEART&SLEEVE


thanks 6 users thanked BrownSugar for this useful post.
PANIC! on 21/01/2026(UTC), FiveT on 21/01/2026(UTC), erich hess on 21/01/2026(UTC), 2001clay on 21/01/2026(UTC), C4AJoh on 21/01/2026(UTC), RoseJapanFan on 23/01/2026(UTC)
Offline BrownSugar  
#2 Posted : 20 January 2026 19:31:51(UTC)
BrownSugar
Rank: Advanced Member

Groups: Moderators, Registered
Joined: 18/02/2011(UTC)
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Was thanked: 20896 time(s) in 8281 post(s)
UserPostedImage

Artist: Danse
Title: Other Side of Town
Genre(s): Country, Rockabilly, Rock & Roll
Length: 4:04
Writer(s): Danse Honeyman
Producer(s): Danse Honeyman
Label: Independent
From The EP: Perpetual Panopticon

INFORMATION

"Other Side of Town" is a song by American singer-songwriter Danse Honeyman, known mononymously as Danse. It serves as Honeyman's second single and the opening track on his debut EP, "Perpetual Panopticon". The track was entirely written and produced solely by Danse. "Other Side of Town" marks Honeyman's first release following the global success of his debut single "Scar Tissue", which became a viral hit and global chart success in 2025, peaking at #2 on the Chart Heat Top 20 and becoming one of the most acclaimed and enduring hits of the year. Following the unexpected success of his release, Danse chose to remain an independent artist despite many offers from labels being presented to him. Honeyman did however sign to Velour Management in late 2025 for artistic representation and marketing of future musical releases. "Other Side of Town" was written and composed in 2024, prior to Honeyman's official debut and is one of his oldest recordings. When deciding on the official follow-up to the incredibly successful "Scar Tissue", Danse finally settled on "Other Side of Town" after much deliberating as it is one of his many compositions that he "has never grown tired of". Like its predecessor, "Other Side of Town" has been highlighted for its LGBTQ+ themes in the often conservative modern day country music genre.



MUSIC & LYRICS

Musically, "Other Side of Town" is a country pop song with elements of rock and roll, creating a "nostalgic" fusion of classic and beloved genres. Honeyman also tapped into retro soundscapes on his debut single, seemingly an artist who nods to and has heavily studied music of the past and with the intent of creating tracks that sound "instantly familiar". While "Scar Tissue" echoed sounds of the 1970's, "Other Side of Town" turns the clock back even further and revitalises the musical boom of the 1950's and 60's, merging classic country with rockabilly and rock and roll. The song builds from a typical country music, slow building guitar twanging alongside Danse's "breezy" and "baritone" storytelling verses before erupting into Phil Spector's "Wall of Sound" influenced chorus with "crooning" big vocals, layered instrumentation and a feeling of sonic grandeur in comparison to the more subdued, traditional singer-songwriter style verses.

Lyrically, the song speaks about the taboo subject of infidelity as well as tapping into the stigma and shame that many feel for being gay across certain parts of America. It opens with a play on the famous American public service announcement which questioned; "It's 10pm. Do you know where your children are?". "Other Side of Town" sees Danse narrate as he recants a story he has witnessed happen several times to multiple people; encountering a man in a gay-centric space and engaging in homosexual activity all while being married to a woman. Danse sings about the woman's wilful ignorance in the verses with empathy and understanding, acknowledging her fears but also reminding her that her stubborn pride won't change anything and that it is a situation where nobody wins in the end. The song's chorus taps into the secret acts of the husband that he has witnessed without being overtly explicit. The phrase "Other Side of Town" is used both literally and figuratively, a remark about the man being gay while presenting as straight as well as referring to a specific area in town that only people "in the know" frequent.

Danse lovingly satirizes classic country music lyrical tropes, merging nostalgia in with modernity. Lines such as "'Cause only true country folk know what makes a house a home" nod towards the concept of traditional family values often expressed by those in Southern States while "Waiting by the window as he's going up the backroads" pokes fun at the lyrical tropes of driving on country roads in a pickup truck, using it as a euphemism for anal sex.



SONG COMMENTARY

Quote:
"This is a song that I wrote out of frustration, not so much at the people involved but at the world and society as a whole. It still kills me that people can't be their true and authentic self out of fear of drastic repercussions. We have straight-up criminals in charge of entire countries, laws, economies, militaries and all sorts all over the world but many people are cool with that or they don't care enough to fight for change. They care enough to make a hateful Facebook comment about a Disney movie having a lesbian couple being parents though. There are parts of the world where these crooks, felons and downright evil creatures have more rights than gay people who have everything stripped away from them, they're thrown in jail, they're shunned, they're abused, they're sometimes killed. The latter either being taken into the hands of homophonic reprobates or actual barbaric law rulings."

"That horrible, archaic mindset and culture has in turn created its own sub-culture. It isn't spoken about. It isn't even spoken about WITHIN said sub-culture. There are so many secretive and hush-hush places and spaces that gay men have to frequent not only for an outlet but to feel safe. Bars, backroom clubs and vaults, sauna parlours, cruising areas, they've existed forever and there has been a spike ever since a certain demographic got their talons back into power again. Perhaps these "don't ask, don't tell" spaces wouldn't need to exist if we could hold in hands in public. Alas, we can't and so we hide away and have to carve out our own little sanctuaries. Being openly gay and usually single is the status quo for these spots but it's not totally exclusive. More and more, repressed and closeted men, oftentimes with a "girlfriend" or even married slide into the spaces to live their truths for a bit."

"Now, I'm not excusing infidelity. I make sure not to outwardly agree with that at any point within the song. I do, however, know there's a bigger picture and I try my best to paint all of that. How must a woman feel knowing that her man is secretly gay? All the feelings of insecurity and failure that must be running through her head is staggering. The resentment, the confusion, the betrayal - the list is never ending. What about the guy? He wants to be himself but can't out of fear of hurting people he cares about, societal pressures and the frightening realisation of what may happen to him as an outed homosexual in a small rural town. They're all huge, heavy things and nobody wants to open that can of worms. Nobody involved. Nobody witnessing. Nobody suspecting. It's all kept hush-hush so not to rock the boat and played out on the other side of town."





CRITICAL RECEPTION

Upon release "Other Side of Town" was met with universally positive acclaim, with many critics lauding Danse's unconventional approach to country music as well as multiple outlets branding it a worthy follow-up to "Scar Tissue". Anna Winston of NME gave it a 5 star rating and wrote; "If the sadly crooned and sonically subdued "Scar Tissue" became a global smash for Danse then the heights for the lyrically biting, foot-stomping tempo of "Other Side of Town" are sure to be nauseatingly dizzying for the rising star." Michael Makeba of AllMusic also positively compared the song to "Scar Tissue" writing; "Where his debut release saw him channel the whimsy of Fleetwood Mac, the spirits of Roy Orbison and The Beach Boys now occupy that space as Danse creates another magical fusion of past and present." Makeba then went on to highlight and commend Danse's flourishing artistry; "Despite the switch up in sonic influence, it still sounds like what we are learning is quintessentially Danse; sharp lyrics, country charm, an effortlessly cool aura and THAT VOICE!".

Writing for Pink News, Naomi Keough dubbed the song as "unapologetically queer" and branded Honeyman as "brave and daring" for writing a song about a subject matter that "not many artists living in Trump's America would touch with a ten foot pole." Similarly, Christian Woodall of DIY highly praised Danse for writing so eloquently and candidly about LGBTQ+ themes, opining; "Although "Other Side of Town" doesn't exactly delve into the happiest of topics it's refreshing and reassuring to see a gay-centric track with a real depth and a gay artist being a fully rounded and realised human being. It's not all just big dicks and popper fuelled club beats." Raymond West of Pitchfork was highly complimentary of Danse's growing artistry and developing persona as he wrote; "Blending theatricality with sincerity, nostalgia with modernity and eloquence with a wink and a nudge, we're starting to place a handle on the somewhat elusive Danse. Thesaurus-like vocabulary, haunted baritone vocals, candidly told stories and pictures painted with vivid strokes are fast becoming hallmarks of a Danse release." West then went on to conclude his review by claiming; "With only two releases to his name and a practically non-existent online presence, Mr. Honeyman lets his music do the talking while basking in a sea of delicious intrigue as he fast becomes one of modern day music's most interesting artists".




"OTHER SIDE OF TOWN"

It's 10pm. Do you know where your husbands are?
Figured you wouldn't be acquainted with this underground bar
Cadillac tire marks on the drive left as a memento
While you step up to your stay at home wife potential
How long has it been since you last spoke to your sister?
After the pistols at dawn over your brand new mister
And you've already had the "But daddy, I love him!" fight
But do you have a niggling feeling that something ain't right?
As you start to grow ever so disenchanted
It begins to read as if he had planned it
Shrinking violet while his ego is overblown
Waiting by the window as he's going up the backroads

Nobody wants to rock the boat, fearing the capsize
Waters are looking murky, feels much safer inside
He's a family man, just waiting for the right time
He's not cold in bed, just sleeping on the wrong side
Are you willing to blind your point of view
All because you can say that he comes home to you?

You see, your man loves a different shade of spotlight
He finds his thrills amongst a secret crowd
He enjoys a particular style of nightlife
Blossoming to life when the sun goes down
Darling, I've seen it with my own two eyes
He's like a bull to a rodeo clown
You claim that home is where the heart lies
Seems he's living on the other side of town


Oh, ah, oh, ah, oh, rumors going 'round
Oh, ah, oh, ah, oh, on the other side of town


You've started to lie to yourself so convincingly
Sailing away on a little fluffy cloud of reverie
If only the reality was just as light and fanciful
And all of the secrets and lies weren't so bountiful
Way up in the air and so frightened to land
Because the truth hits hard and who'll hold your hand?
Deny it all just like he does with his own persuasion
And I get it, it will be a difficult conversation
Some of these terms aren't even in your lexicon
And when word gets out, you'll be in a perpetual panopticon
Looking, whispering, judging, waiting to cast the first stone
'Cause only true country folk know what makes a house a home

Nobody wants to rock the boat, fearing the capsize
Waters are looking murky, feels much safer inside
He's a family man, just waiting for the right time
He's not cold in bed, just sleeping on the wrong side
Are you willing to blind your point of view
All because you can say that he comes home to you?

You see, your man loves a different shade of spotlight
He finds his thrills amongst a secret crowd
He enjoys a particular style of nightlife
Blossoming to life when the sun goes down
Darling, I've seen it with my own two eyes
He's like a bull to a rodeo clown
You claim that home is where the heart lies
Seems he's living on the other side of town


It's all parties and strangers
Leather chaps and danger
When he's on the other side of town
He's found a brand new flavor
Overtaken by the vapors
But he promised that he'd settle down
He's a family man (on the other side of town)
He's not cold in bed (on the other side of town)

You see, your man loves a different shade of spotlight
He finds his thrills amongst a secret crowd
He enjoys a particular style of nightlife
Blossoming to life when the sun goes down
Darling, I've seen it with my own two eyes
He's like a bull to a rodeo clown
You claim that home is where the heart lies
Seems he's living on the other side of town


You see, your man loves a different shade of spotlight
He finds his thrills amongst a secret crowd
He enjoys a particular style of nightlife
Blossoming to life when the sun goes down
Darling, I've seen it with my own two eyes
He's like a bull to a rodeo clown
You claim that home is where the heart lies
Seems he's living on the other side of town


Oh, ah, oh, ah, oh, rumors going 'round
Oh, ah, oh, ah, oh, on the other side of town

Oh, ah, oh, ah, oh, rumors going 'round
Oh, ah, oh, ah, oh, on the other side of town

Oh, ah, oh, ah, oh, rumors going 'round
Oh, ah, oh, ah, oh, on the other side of town

Oh, ah, oh, ah, oh, rumors going 'round
Oh, ah, oh, ah, oh, on the other side of town



Can Be Compared To:

WEEKEND: BILLY • DUSTYN • OSCAR • RILEY • SCOTT
THE STAT NERDS: BRIAN • CHRISTOPHER
THE ZONE: BLAKE • CHRIS • JASON • LIAM

JOSHUA GRIMMIE • LINCOLN • LAYLA • MERCEDES • MICHELLE GREEN
ANDREA • DENEIL • CHICAGO NOBODY • DANSE • ELLIE-GRACE SUMMERS
REUBEN • VICTORIA BLACK • MICAH DELISLE • BLOOM • KHALIL
JAMIE JACKSON • BEAR • PARKER

CHART HEAT • PESKY • HEART&SLEEVE


thanks 7 users thanked BrownSugar for this useful post.
PANIC! on 21/01/2026(UTC), FiveT on 21/01/2026(UTC), AmyJayneXoX on 21/01/2026(UTC), erich hess on 21/01/2026(UTC), 2001clay on 21/01/2026(UTC), C4AJoh on 21/01/2026(UTC), RoseJapanFan on 23/01/2026(UTC)
Offline BrownSugar  
#3 Posted : 21 January 2026 19:51:32(UTC)
BrownSugar
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Artist: Danse
Title: The Carson Conundrum
Genre(s): Country, Outlaw, Latin, Flamenco
Length: 4:10
Writer(s): Danse Honeyman
Producer(s): Danse Honeyman
Label: Independent
From The EP: Perpetual Panopticon

INFORMATION

"The Carson Conundrum" is a song by American singer-songwriter Danse Honeyman, known mononymously as Danse. It serves as the second track on his self-released debut extended play, "Perpetual Panopticon". The track was written, produced and composed entirely by Honeyman himself. "The Carson Conundrum" is the first non-single from Danse's catalogue released to the world following the highly successful "Scar Tissue" and "Other Side of Town", respectively. The track was initially written and recorded in January 2025, prior to Honeyman's official musical debut. The version that appears on this release is a re-working of the original, with re-recorded vocals and slight production alterations that lean heavier into its more "upbeat" feel and "Latin" influences. A particular note in regard to many of his releases, the song has garnered attention for its bold infusion of genres, with Danse sonically "crossing the border" and bringing sounds of Latin America into Country music during times of high political tensions.



MUSIC & LYRICS

Musically, "The Carson Conundrum" is an upbeat, sonic fusion and "crossover" track which merges together traditional Country & Western music and traditional Latin American sounds. The song is influenced heavy by Outlaw music, breaking away from a traditional, polished "Nashville" sound within country music and instead leaning towards a rawer, more rebellious sound. The country music elements with "The Carson Conundrum" also taps into sounds and chimes associated with cowboy films and "Spaghetti Westerns" from the Golden Age of cinema. This "darker", "dualling pistols" soundscape serves as the underlying base and pillars of the tracks while the "cheery" Latin American and Flamenco inspired production cuts through, elevating the mood and tempo as it bursts into life within the choruses. The sonic contrast also works in conjunction with the lyrical content, highlighting the sinister nature of the aforementioned Carson in comparison to how he seemingly breezes through life.

Lyrically, "The Carson Conundrum" is an anecdotal and slightly comedic song in which Danse recants the tale of a local man who is much maligned and disliked within the community yet always appears to remain unaware, unscathed and never receiving a much deserved comeuppance. Throughout the song, Danse questions if "Carson" is either wilfully ignorant to the harm that he's causing people or genuinely so detached from reality that he is ultimately clueless. Honeyman paints this man as disloyal, referring to metaphorically throwing people under buses, as well as pious and self-righteous, often using his religion to dictate and talk down to others. In other words, Carson believes that he is to be looked up to, a saviour and the answer to people's problems when in reality, he is the biggest inconvenience and hurdle for all to overcome. Throughout the track, Danse sarcastically appeases the titular Carson, feigning envy and jealousy.

The line "Could only dream of carrying myself as such a good Christian / Sadly, I'm too sentient and aware of the juxtapositions" garnered some backlash among some Christian groups and communities upon the track's streaming debut, however, Honeyman claims that the lyric centres particularly around this one individual and not an entire religion as a whole. The track has also been viewed by listeners as a politically charged statement told through a fictional story as many believe Danse is singing about a divisive, cult-like leader who envisions himself as a saviour.



SONG COMMENTARY

Danse wrote:
"I've been really eager to release this song and receive feedback on it which is a peculiar statement and sentiment of mine as I'm usually a bag of nerves when it comes to sharing my work with the world. I think perhaps it's the fact that this one is so sonically different. I always try to infuse many different sounds across the musical soundscape and from my big book of inspirations but I was really curious how this one would go down, especially in 2026. It's like a revival of those old Western movie soundtracks set in the Southwest and Great Plains but with a brand new coat of paint. I really wanted to merge and sonically cross the borders, celebrating all sorts of culture, musicality and history. I also believe that my biggest driving factor in bringing Latin and Country music together in harmony on a song like this is that it's about a common enemy. This one loud guy who is causing divide, doing more harm than good and going to bed thinking that he's seeing Heaven. I think everyone on both sides of the border can relate to that. Not pointing any fingers."

"The person in this story is made up but we all know a Carson. I quite literally know a few as that's quite a common name where I grew up. Yes, literally and figuratively, we all know a Carson. He is someone who thinks that the sun shines out of his backside, if you shall excuse my vulgarity. I guess it all goes back to toxic masculinity and the patriarchy. He's a man who has never particularly worked hard or achieved anything astounding in life but he has this sense of righteousness, superiority and main character syndrome and it's all probably because he's a white dude. He believes he is the norm, the factory default and that all the problems in the world whether big or small would dissipate if you were all just a little more like him. I sort of merged that big-headed, self-proclaimed holier than thou figure with the town drunk or the guy who props at the bar and thinks he's funny and beloved. We all know those guys too. They think that everyone wants to hear their hogwash and that we all wait with bated breath for their next syllable. We don't. We really, truly don't."




"THE CARSON CONUNDRUM"

I can only imagine what it's like being so wonderful
Feet under every table, a stoic life so comfortable
To sleep so soundly while a million minds all rush
To blank out every single body he's thrown under a bus
Contorted, and twisted, and ever so graphic
He wriggles out unscathed as if by magic
And as everyone chokes and gags on his ubiquitous presence
He glides along unaware of the hell that's descending

For an ephemeral moment, I admire the chutzpah
That kind of attitude seems to have gotten him far
Wilfully ignorant or just a plain old fool?
Whatever the case, he thinks he's the exception to the rule

The problem with Carson is that he thinks he's celebrated
He'd probably have a heart attack
If he knew how many targets were on his back
Touched the lives of many but not in the way he thinks
You owe him for life because he once bought you drinks
You'd chant the last rites and force out your last breath
Because an hour with him is a fate worse than death
The problem with Carson is that he think he's celebrated
The problem with Carson is that he doesn't know he's hated


I can only imagine what it's like to outlive every foe
To remain so deep rooted while others come and go
Could only dream of carrying myself as such a good Christian
Sadly, I'm too sentient and aware of the juxtapositions
He's a walking, talking, living, breathing masterpiece
I'm just observing in awe, sir, please don't mind me
Must be a heavy head with that gleaming crown adorned
Though some would say it's a rusted halo with twisted horns

So gracious with his time and loving affection
Offering us all some sanctified intervention
He's so kind helping us help ourselves
Just a shame he's a stain on the local mental health

The problem with Carson is that he thinks he's celebrated
He'd probably have a heart attack
If he knew how many targets were on his back
Touched the lives of many but not in the way he thinks
You owe him for life because he once bought you drinks
You'd chant the last rites and force out your last breath
Because an hour with him is a fate worse than death
The problem with Carson is that he think he's celebrated
The problem with Carson is that he doesn't know he's hated


How do you solve, how do you solve
How do you solve the conundrum?
How do you solve, how do you solve
How do you solve the conundrum?
How do you solve, how do you solve
How do you solve the conundrum?
How do you solve, how do you solve
A man who doesn't know he's the problem?

The problem with Carson is that he thinks he's celebrated
He'd probably have a heart attack
If he knew how many targets were on his back
Touched the lives of many but not in the way he thinks
You owe him for life because he once bought you drinks
You'd chant the last rites and force out your last breath
Because an hour with him is a fate worse than death
The problem with Carson is that he think he's celebrated
The problem with Carson is that he doesn't know he's hated


How do you solve, how do you solve
How do you solve the conundrum?
How do you solve, how do you solve
A man who doesn't know he's the problem?


Can Be Compared To:

WEEKEND: BILLY • DUSTYN • OSCAR • RILEY • SCOTT
THE STAT NERDS: BRIAN • CHRISTOPHER
THE ZONE: BLAKE • CHRIS • JASON • LIAM

JOSHUA GRIMMIE • LINCOLN • LAYLA • MERCEDES • MICHELLE GREEN
ANDREA • DENEIL • CHICAGO NOBODY • DANSE • ELLIE-GRACE SUMMERS
REUBEN • VICTORIA BLACK • MICAH DELISLE • BLOOM • KHALIL
JAMIE JACKSON • BEAR • PARKER

CHART HEAT • PESKY • HEART&SLEEVE


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Offline BrownSugar  
#4 Posted : 22 January 2026 20:56:13(UTC)
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Artist: Danse
Title: Scar Tissue
Genre(s): Country Pop, Soft Rock
Length: 4:48
Writer(s): Danse Honeyman
Producer(s): Danse Honeyman
Label: Independent
From The EP: Perpetual Panopticon

INFORMATION

"Scar Tissue" is a song by American singer-songwriter Danse Honeyman, known mononymously as Danse. It serves as Honeyman's debut single, being released independently to streaming services and digital outlets only. The track was entirely written and produced solely by Danse. "Scar Tissue" was initially released on April 20, 2025 to little fanfare and traction as expected for an unsigned, unknown artist. In August 2025, "Scar Tissue" and Danse began to garner media attention after going viral on social media app TikTok with many spectators praising the track as well as launching an investigation into the true identity of its masked performer. Prior to the song's release, Honeyman had very little social media presence, with the only few photos of him in existence consisting of Danse covering his face. The lyrical themes of domestic abuse and homosexuality set against a Country music background, a genre now closely associated with conservative values in modern day America, also earned acclaim and intrigue. Due to the song boasting a composition akin to country and soft rock music of the 1970's, many internet users have also began claiming a "Mandela Effect" surrounding the track, believing that they have heard it on the radio years prior. This is possibly due to a "nostalgic" and "familiar" feeling regarding the retro production choices used within the song.



MUSIC & LYRICS

The song has a run-time of 4 minutes and 48 seconds and was written, produced, engineered, programmed, sound designed, and mixed by Honeyman at Blues Alley Studios in Westover, West Virginia - Danse's native state. Sonically, "Scar Tissue" has been loosely categorised as a Country Pop song that also leans into Soft Rock as well as possessing flavourings of R&B music. Critics have likened the song to the 1970's works of British-American rock band Fleetwood Mac due to its "breezy" soundscape. Danse's stark, unique baritone voice also aided the track's acclaim and attention with many comparing his low voice to that of Johnny Cash and Nick Cave, respectively. The songs fusion of Country twangs with subtle R&B beats are believed to have been a key factor in the song's virality, crossing over to fans and consumers of different genres. "Scar Tissue" is also noted for its "simplistic" musical structure, the production never "rising" as the song builds. Instead, Honeyman's vocals are what grow more impassioned, adding more stakes and dimensions to the track as it approaches its apex. The "easy-going" nature of the production has been highlighted for contrasting greatly against the "dark" and "heavy" lyricism.

Lyrically, the song has garnered attention for its honest and somewhat graphic nature. Centring around Danse's experience of mental and physical abuse at the hands of an ex-partner, the track chronicles the horrendous events which he endured and how he is still suffering trauma and side effects in the present day. He mentions the metaphorical and literal "scar tissue" which he is left with today and how that impacts his confidence and love life. Although only briefly referenced and not officially revealed in the song, Honeyman took to his official Instagram page to celebrate the track going viral and disclosed in the caption of his post that the literal scar tissue he possesses is on his face - one of the factors behind choosing a masked guise. The autobiographical lyrics and telling of the events of an abusive same-sex marriage have been praised and highlighted, deemed as a topic seldom spoken about within global media and especially within American Country music.



BACKGROUND

Danse Honeyman was born and raised in Clarksburg, West Virginia, where he works as both a warehouse associate for ACE Hardware and session musician for local talent. Despite having to hold down two jobs due to the financial instability of his fleeting session musician hirings, Honeyman's passion and love for music supersedes any struggle and uncertainty. Working in the local music scene for over 15 years, Danse has performed backing vocals, bass guitar, electric guitar and piano both on stage and in the recording studio for multiple homegrown, local acts. He has also been a fixture on stage in local bars for numerous years, performing at many open mic and karaoke nights. In 2023, a physical attack at the hands of his long-term, abusive partner left Danse badly wounded and ultimately scarred across the top half of his face. This altercation resulted in Honeyman almost losing his left eye. With the conclusion of his relationship and resulting afflictions, Danse retreated from his much-loved stage performances.

With the know-how and years of experience, Danse began to write and compose his own music in 2024 during some personal downtime. Despite having composed an alleged "plethora" of songs throughout the year, it was never shared or performed. Instead, Honeyman viewed his compositions as "therapy" and "sonic letters to burn". It wouldn't be until the following year that Danse would share his music with a few select and trusted friends. Although receiving unanimous praise and being heavily encouraged to return to the local music scene to showcase his compositions, Danse still rejected the idea, citing anxiety attacks as his major concern.

Honeyman's close friends continued to try and pursued him into sharing his work with others, believing that his talent was being stifled and unappreciated. After much consideration, Danse slowly came around to the idea in part. Not wishing to physically appear on stage and having to perform these deeply personal songs to strangers - who he also feared would be distracted and intrigued by his facial scarring - Honeyman decided to upload and release one of his tracks. "Scar Tissue" was initially released with basic artwork consisting of a black background and his name and the song's title in a plain white text. Danse's reasoning behind this release was his belief that "the people who care can listen" while he himself still simultaneously remains "remote" and "non-committal".

A song by an unknown man released independently with no distribution deal or imagery behind it, "Scar Tissue" only garnered a lowly 937 streams across all streaming platforms between the period of its release in April 2025 and July, still admittedly more than Honeyman had ever anticipated. The following month, a user on TikTok named 'itskellybaby' posted a video using the song which consisted of lonely desert landscapes at dusk with the caption; "Who is this ethereal soul and why am I crying?!" typed across the images. The post started to gain momentum, simultaneously introducing the song to new fans as well as launching an investigation into the identity behind the singer. As of August 2025, the song's "sound" has been used in an impressive 798.11k TikTok posts.

The unexpected viral nature of the song prompted Danse to take his sole musical release "more seriously", resulting in new artwork being released in order to create a "professional" feel. Still not wishing to reveal his face and also working with a practically non-existent budget, Danse purchased props from a local costume store which included a black eye mask, cowboy hat and a large, rose decoration. Honeyman's friend took the image for the new artwork in her own hallway on her iPhone, with Danse editing the lighting and adding text using free online photo editing software.



SONG COMMENTARY

After the song gained its viral internet moment, Danse took to his personal Instagram page to celebrate and share his thoughts on the entire experience. The post was accompanied by an image of the song's updated artwork. It was the reclusive Honeyman's third ever post on his account, the first two consisting of an image of his cat in his backyard and one of a pizza box. Taking to the social media app, he wrote;

Danse wrote:
"When I wrote and recorded 'Scar Tissue' last year I had no intention of anyone ever hearing it. It was merely my own form of therapy. Sonic burn letters, if you will. I never envisioned my words, my creation, my own little safe haven would reach an audience so huge. Not only that, but for it to be so warmly received. You see, this was never meant to happen to someone like me. As you can tell, I'm not a big social media user nor am I one for the cameras and fanfare. I am utterly perplexed by this situation. Overwhelmed is a perfect description too. This is incredibly dauting to say the least. Nevertheless, the overriding feeling is one of sheer gratitude. It is almost impossible to fathom what has happened here. I am just a guy who works for a hardware company with a lot of emotional baggage. I'm nothing spectacular. I uploaded my track for close friends and family who are champions of my musical side to listen to. Now it is trending across the globe. Many people spend a lifetime trying to achieve a moment like this. I didn't. That was never the goal. In many ways, I feel incredibly fraudulent. I hope another budding artist gets their turn next."

"Naturally, I've had many questions sent to me by those savvy enough to find my barely used social media accounts. Why the mask? Why the anonymity? What's the deal with the lyrics? The track itself is rather explanatory but I'll lay it all out as best I can within the character limit. Basically, I was in an abusive 12 year relationship both mentally and physically. Yes, it was with a man. It all culminated in 2023 when I took a broken beer bottle to the face, almost losing my left eye. This is my reasoning behind wearing a mask in the artwork and why I have no pictures of myself online. I even removed older photos as I couldn't stand to look at them. It was like a cruel 'before and after' thing that I just couldn't escape. While I'm no longer with the monster behind it, the remnants remain - mentally and physically. That is what the song is about. Abuse isn't a one and done thing. It's a slow burn. It builds. It creeps in. It catches you off guard. It sets up camp. It gets its feet under the table. It overstays its welcome. The smoker might be gone but the stench still lingers in the air and the nicotine discolours your walls."

"It is a daily struggle but I'm getting there. Hey, I've even managed to make a kickass song. That's saying something, right? Not to sound all sappy and righteous but I want others who are in a similar situation to know that it CAN get better. Thank you for everything."

"Love and light - D."




CRITICAL RECEPTION

Upon gaining traction on social media, "Scar Tissue" began to accumulate a mass of critical acclaim with many reviewers and publications highlighting the "high quality and professionalism" of the independently produced song's composure, as well as lauding Honeyman's "brutally honest" lyricism and low, baritone voice. Benjamin Thomas of The Guardian praised the track for its "timeless" sonics and believed it to sound like an "instant classic". The Line of Best Fit's Erica Nyland echoed similar sentiments, writing; "Combining the comfort of classic country, nostalgic hug of 70's soft rock and the irresistible, smooth bounce of 90's R&B, this mystery man has eerily crafted a song that sounds as if it has been in our homes and hearts for generations." Multiple critics cited the track's nostalgic feel with many comparing it to a "lost Fleetwood Mac classic". Gillian Radnor of Culture Fix further supported these comparisons, claiming that "if you were told that this is a cover of a track penned during one of Lindsey Buckingham and Stevie Nicks infamous bust-ups, you'd take that statement at face value."

In a review for Chart Heat's official website, Fayette Morgan applauded Honeyman for his "nakedly revealing" storytelling, writing; "Danse's penmanship is beautifully devastating. So much so that we don't need an already established para-social relationship with this mysterious figure to be invested in his heart-breaking tale. He paints a vividly serrated picture with his finely selected words and delivers them in an engaging yet chilling tone that makes a beeline straight to the soul." Stanley McFadden from The Daily Beast also highlighted Danse's vocal register and performance, writing; "There are many reasons why this stellar track has gone viral - the mystery, the subject matter, the stellar production, the cutting words. What I believe to be the biggest factor in the song's appeal is this guy's voice. It makes you sit up and pay attention, breaking the unsuspecting phone user out of their mindless doom-scrolling. The emotive, warm yet wounded sounding baritone pricks ears up from the first syllable. You just don't hear many voices like that these days. An old soul trapped in 2025."

"Scar Tissue" gained traction and acclaim from numerous LGBTQ+ media outlets with many commending Honeyman for sharing his lived experience and bringing attention to an issue not often discussed in music. Craig Stamper for Pink News opined that "while many of our LGBT musical heroes are out there fighting the taboo of gay love, and rightfully so, there's also a darker underbelly that is seldom explored. Danse's painfully descriptive recalling of domestic abuse and its following repercussions is a stark reminder of an important issue within the community that is often lost in the noise of everything else we've been enduring as of late." Writing for Queerty, Paul Spears stated that Honeyman's "big, bellowing voice really strikes an emotional chord", believing that it reaffirmed the notion that "if it can happen to a burly, big, handsome, testosterone-filled man, it can happen to anyone."



"SCAR TISSUE"

Perhaps it's barbaric to even admit it
That this was once unyielding and sacred
Set up a home in the confines of your glass
Melted like butter into every detail of your hand
And even as the grip began to grow tighter
As my lungs struggled and head felt lighter
I stayed under the pressure of the incessant thumb
The hand that fed me every welcomed crumb

All just a series of little isolated incidents
That's what I told myself despite staggering evidence
Became a grandmaster of making up excuses
To the point where I couldn't differentiate what the truth is
I remember the first time I foolishly tried to leave
Got myself to blame for letting it fester 8 years deep
The bruises dissipated but the map still remained
Of where you laid your hands and I covered up my shame

Friends ask me how I feel, how it's all going
I laugh and joke as if everything's alright
Racked up the years without anyone ever knowing
That under the guise of a smile, I'm dying inside
I can lie so convincingly, blessedly, naturally stoic
Then I switch off out the lights, lay my head down and cry
I just cry, cry, cry

I wish that I could say that I have no regrets
And that I'm not still dealing with the side effects
Still waking up in feverish sweats at night
Lucid dreams, I'm back there in the violent times
You left the state and still, I can't escape you
You're on new horizons, I'm left here with the scar tissue
Perhaps tomorrow is my day...
Perhaps tomorrow is my day...


Reclusive routine has left me with a lot of spare time
So I sit in self imposed solitude and psychoanalyse
You know, I think you really wanted to be like your father
Seems like it was always his approval you were after
Shame you never fell in line with his old traditions
It was another man who belonged in your kitchen
I was a physical representation of all your problems
Tangled in the line of love and hate, never could solve them

The names you hurled, they started to stick
The finest sharp shooter, straight from the hip
Still emblazoned in my fibres, every tease and taunt
Internally screaming whilst presenting nonchalant
Did you fear how I would shine if left unbridled?
Keeping me cocooned from potential rivals?
I waste too much time when I ponder and hypothesise
When I highly doubt I even cross your mind

Friends ask me how I feel, how it's all going
I laugh and joke as if everything's alright
Racked up the years without anyone ever knowing
That under the guise of a smile, I'm dying inside
I can lie so convincingly, blessedly, naturally stoic
Then I switch off out the lights, lay my head down and cry
I just cry, cry, cry

I wish that I could say that I have no regrets
And that I'm not still dealing with the side effects
Still waking up in feverish sweats at night
Lucid dreams, I'm back there in the violent times
You left the state and still, I can't escape you
You're on new horizons, I'm left here with the scar tissue
Perhaps tomorrow is my day...
Perhaps tomorrow is my day...


And then the sirens blared
A whole stream of red
Inflicted by the damn bottle I fetched
Across the room you leapt
I can't remember what I said
Coming to my senses in a hospital bed
An agonising throb in the head
Can't believe how much I bled
I could even still forgive but I will never forget

I just cry, cry, cry
I just cry, cry, cry

I wish that I could say that I have no regrets
And that I'm not still dealing with the side effects
Still waking up in feverish sweats at night
Lucid dreams, I'm back there in the violent times
You left the state and still, I can't escape you
You're on new horizons, I'm left here with the scar tissue
Perhaps tomorrow is my day...
Perhaps tomorrow is my day...


I wish that I could say that I have no regrets
And that I'm not still dealing with the side effects
Still waking up in feverish sweats at night
Lucid dreams, I'm back there in the violent times
You left the state and still, I can't escape you
You're on new horizons, I'm left here with the scar tissue
Perhaps tomorrow is my day...
Perhaps tomorrow is my day...


I just cry, cry, cry
I just cry, cry, cry
I just cry, cry, cry
I just cry, cry, cry
I just cry, cry, cry
I just cry, cry, cry
I just cry, cry, cry
I just cry, cry, cry

Can Be Compared To:

WEEKEND: BILLY • DUSTYN • OSCAR • RILEY • SCOTT
THE STAT NERDS: BRIAN • CHRISTOPHER
THE ZONE: BLAKE • CHRIS • JASON • LIAM

JOSHUA GRIMMIE • LINCOLN • LAYLA • MERCEDES • MICHELLE GREEN
ANDREA • DENEIL • CHICAGO NOBODY • DANSE • ELLIE-GRACE SUMMERS
REUBEN • VICTORIA BLACK • MICAH DELISLE • BLOOM • KHALIL
JAMIE JACKSON • BEAR • PARKER

CHART HEAT • PESKY • HEART&SLEEVE


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Offline BrownSugar  
#5 Posted : 22 January 2026 23:55:33(UTC)
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Artist: Danse
Title: Blueberry
Genre(s): Country, Alt-Country, Ballad, Glam
Length: 5:02
Writer(s): Danse Honeyman
Producer(s): Danse Honeyman
Label: Independent
From The EP: Perpetual Panopticon

INFORMATION

"Blueberry" is a song by American singer-songwriter Danse Honeyman, known mononymously as Danse. It serves as the fourth and final track on his self-released debut extended play, "Perpetual Panopticon". The track was written, produced and composed entirely by Honeyman himself. "Blueberry" is one of the earliest compositions by Honeyman, finding its origins from a self-penned poem that he penned over 10 years ago. The original piece was deconstructed and rewritten as a song in 2024, with Honeyman even performing it around local bars before officially debuting "Scar Tissue", which would later go on to become his debut release and a worldwide chart success. "Blueberry", like most other workings heard from Honeyman, infuses multiple genres and calls back to musical influences from decades gone, this time with a nod towards the 1980's. "Blueberry" is a country ballad with elements of glam rock and power pop, akin to sonics heard across movie soundtracks of the 80's. The track's titling is also an ode to one of Honeyman's favourite songs; "Blueberry Hill", more specifically Fats Domino's 1950s rock and roll cover. The title is also nodded to in the song's chorus with the line; "The Hill's turning arid"



MUSIC & LYRICS

Musically, "Blueberry" is a slow-paced, downtempo ballad with its roots based in typical Country music storytelling. The sombre, almost listless twangs of acoustic guitar are underlaid with a sparse and dramatic drumbeat, creating an "introspective" and "melancholic" atmosphere for the listener. "Blueberry" contents small bursts of Glam rock balladry and elements of 1980's synthesised pop music, opening up with a "dark" yet "shimmering" extended keyboard notes, immediately creating an intriguing and almost "sinister" sound as it grabs the listener in with its dark allure. Danse, known for his low baritone voice, is the driving force of the song, taking the listener on the emotional journey with his lyricism and powerful crooning and belting while the production simply loops and acts as a springboard for his performance. Listeners have noticed a rather "polished" sound to the track, crediting its glamorous 1980's "sheen" for this effect. Many critics have also likened the song to one that would be played during a "pivotal" moment of a 1980's John Hughes movie, with many comparing its sonic structure and heart-wrenching lyrics to many famous songs heard on soundtracks at the time.

Lyrically, "Blueberry" tells the story of a woman who was once a pageant queen, beloved by her parents and the apple of almost everyone's eye. It chronicles her journey and struggle of once having the world at her feet, being metaphorically wrapped up in a safety blanket and having all the naivety and seemingly endless dreams that comes with youth, to having to find her own way in the world without her parents and with age and the passage of time against her. The girl in question was affectionately nicknamed "Blueberry" by her father and the song follows her life chronologically through the verses. We see her grow from prodigal child, to teen dream, to middle-aged divorced wife, to an alcoholic elderly woman and, ultimately, to her death. The bridge of the song sees Blueberry's demise, with the listener being left to interpret if it all ended with a literal car crash or a metaphor for a life lived in tatters. She is once again reunited with her father and hears her special nickname one last time which, ironically, was her last goal in life despite her other many failures.

"Blueberry" touches on many themes such as grief, loss, ageing, the passage of time and also taps into the societal outlook on how women are perceived and treated as they advance in years. A lot of emphasis has been put on Blueberry's youth and looks, even at a very young age in which she was entered into pageants and compared to her sister, much to the sibling's chagrin. The track can also be viewed as a commentary of self worth and self esteem, with Blueberry feeling insignificant without the love and approval of others whether that be her parents, a partner or a trophy.

The song itself is also a nod to Fats Domino's cover of "Blueberry Hill", often cited as one of the earliest rock and roll songs, regarded as a pioneering piece within musical history. On top of naming the protagonist of the song "Blueberry", Honeyman also alludes to the famous Blueberry Hill location within the chorus of the song.



SONG COMMENTARY

Danse wrote:
"I think that "Blueberry" is one of my most simple yet effective songs. You compare it to the whacky nature of something like "The Carson Conundrum" where it's like a Spaghetti Western on crack and I'm singing anecdotes about this little Hitler of a man, "Blueberry" is much more subtle but far more poignant. I've played it live locally a few times and every single time, I've made a few people in the audience cry. That's not to toot my own horn. I can't take credit for a universal theme and fear. For a lot of us, we fear the passage of time, we fear death - our own or loved ones. It's the great equaliser. Comes to us all. When you hear this story, I think everyone sees a little bit of themselves in there. Even if it's not verbatim, I'm sure many of us have had those times where we've looked in the mirror or perhaps pondered over a few beers and wonder where the time went. It felt like we were 16 just yesterday and now there are lines by our eyes, there's flecks of silver in our hair and you have more years behind you than in front of you. That feeling of fleeting mortality is what I wanted to tap into more than anything."

"Of course, this is a fictional story. I don't know anyone with the nickname of "Blueberry" but I'm sure that if I did, she would be an absolute hoot! A lot of this came from my own fears but rather than dwelling on my own personal woes, I decided to dress it up and do something even bigger and more important with it. I created the song through the eyes of a woman. Society has a whole different rulebook when it comes to women. If seen it from every angle and media. Whether it's the media talking about its biggest stars or conversations head locally in my little town - a woman's worth is usually placed on her looks, age, sex appeal and childbearing years. I really wanted to tap into the sadness of that, creating a song that, as it progresses, you can literally hear and see the diminishing and regression of a soul. Like in life, sometimes there is no happy ending and I wanted to showcase that too. The patriarchy and the capitalist setup of modern life has taken many victims. I wish I could dress it up but sometimes you've got to sit in the tragedy. Those who don't learn from history are doomed to repeat it."




"BLUEBERRY"

You were your mother's favorite daughter
Your father's sweet little Blueberry
They're gone now, risen to angelic pastures
Broken their promises of love eternally
Your sister was always jealous of your attention
Bitter monochrome eclipsed by golden flair
And her photos are still airbrushed to Heaven
That's the closest she will ever get to there

All of the rosettes have withered and dried
There's a new pageant princess to adore
Conceded tiaras and dreams that have died
Honey, you're not exactly 18 anymore
Can't be true, you were always a winner
Meticulous, clear-cut beeline to the throne
You'll show them all, you get even thinner
But you still feel the chill to the bones

Doesn't it all feel just a little offhand,
When the passage of time goes and scuppers your plans?
Whatever happened to the freedom of choice?
The clock ticks louder with incessant noise

And now you've got one foot upon a landslide
Tearing you away from the promised limit of sky
Your reflection is showing shades of grey
Swore you had time to kill just yesterday
Swerving behind the wheel without a manual
Decades gone by and still no handle
The Hill's turning arid, running out of juice
You're getting older, and I'm getting older too


Tried to settle down, even bought the apron
A handsome young man with the cutest idiosyncrasies
Oh but mercy me, just what in tarnation!?
He loaded his truck and eloped with Miss Peggy Lee
Heard her legs are as tall as the redwoods
You puff a whole pack the very next morning
With a voice all coarse and a dose of the blues
It's down the hatch with a homebrewed concoction

Your work ethic's looking a little more than egregious
Mr. Boss Man's been giving you the month from Hell
In fact, he's told you to come and collect all your pieces
Another hour passes, there's the clunk of that iron bell
The sand freefalls through your fingertips
Once a cornerstone of youth and frivolous fun
A stark reminder of an impending eclipse
It's harder to get a life than get a gun

This once used to be your playground
Where you danced the dance, spun the merry-go-round
Don't regonize these faces, even your own
There's a kernel within but the outline is worn

And now you've got one foot upon a landslide
Tearing you away from the promised limit of sky
Your reflection is showing shades of grey
Swore you had time to kill just yesterday
Swerving behind the wheel without a manual
Decades gone by and still no handle
The Hill's turning arid, running out of juice
You're getting older, and I'm getting older too


You've become a ten car road wreck
A hundred hopes lay tattered in the mess
The dreams all died of overdoses
And all the plans were simply hopeless
What's that singing within the breeze?
Know it anywhere even after 25 years
Echoes of your father, just what you've sought after
Saying; "My Blueberry, give me a squeeze!"


Can Be Compared To:

Edited by user 23 January 2026 00:13:42(UTC)  | Reason: Not specified


WEEKEND: BILLY • DUSTYN • OSCAR • RILEY • SCOTT
THE STAT NERDS: BRIAN • CHRISTOPHER
THE ZONE: BLAKE • CHRIS • JASON • LIAM

JOSHUA GRIMMIE • LINCOLN • LAYLA • MERCEDES • MICHELLE GREEN
ANDREA • DENEIL • CHICAGO NOBODY • DANSE • ELLIE-GRACE SUMMERS
REUBEN • VICTORIA BLACK • MICAH DELISLE • BLOOM • KHALIL
JAMIE JACKSON • BEAR • PARKER

CHART HEAT • PESKY • HEART&SLEEVE


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Offline PANIC!  
#6 Posted : 28 January 2026 08:27:46(UTC)
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Ryan: I was already a huge fan of the two singles you dropped last year and hearing your EP now reminded me just how brilliant those tracks are. These four songs to me showcase how expansive the country genre can be, both in sound and thematically. It's far from your run-of-the-mill mainstream country music we've heard for the last two plus decades that rely on the tried and true - but also mostly lazy - formula that has worked in the past. This is atypical country music, which I expected from you. My personal favorite is "Blueberry", mainly because I am a sucker for that style of storytelling where you have a clear character that you build over the runtime of a song. It's a ballad but I love the layering of it throughout and how it doesn't need this grandiose moment to make a point, it's all right there for the listener to consume. It's a beautifully crafted.

Also, much respect for rejecting the major label offers and staying true to yourself and your art. I know it's not easy to be offered a huge chunk of money all at once and have the guts to walk away from it even as the dollar amount continues to rise with a couple of top-five songs under your belt. I signed to a record label when I was twenty-two and I know the pros and cons that come with following that path. You were one of the great unexpected music stories of 2025, and if this EP is any indicator, I'm sure that will continue in 2026 and moving forward - sans the "unexpected" label. This was a perfect first offering and I can't wait to see where your journey as a singer-songwriter goes next.
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BrownSugar on 28/01/2026(UTC)
Offline C4AJoh  
#7 Posted : 28 January 2026 19:44:45(UTC)
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Ashford: It will come as no surprise given my previous appreciation for your first two singles but this E.P release just extends that appreciation even further. It's a rare debut collection that feels completely timeless and fresh from an artist that has complete ownership of his art and understands completely what sort of artist they want to be. Most debut releases feel out of place in artists discographies when you look back because they haven't quite figured out who they are, this is not the case at all with yourself.

Its creativity and cleverness stands at the forefront of this E.P. There's fluctuations in sounds and styles but with a country and rock and roll heart to it, those two primary genres are completely broad and allow variations and offshoots and you do that perfectly on this collection of tracks. A completely authentic voice from an artist that seemingly has full control and autonomy over his work, it's brilliant to see and long may you continue to excel!
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BrownSugar on 28/01/2026(UTC)
Offline BrownSugar  
#8 Posted : 12 February 2026 02:14:04(UTC)
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Originally Posted by: PANIC! Go to Quoted Post
Ryan: I was already a huge fan of the two singles you dropped last year and hearing your EP now reminded me just how brilliant those tracks are. These four songs to me showcase how expansive the country genre can be, both in sound and thematically. It's far from your run-of-the-mill mainstream country music we've heard for the last two plus decades that rely on the tried and true - but also mostly lazy - formula that has worked in the past. This is atypical country music, which I expected from you. My personal favorite is "Blueberry", mainly because I am a sucker for that style of storytelling where you have a clear character that you build over the runtime of a song. It's a ballad but I love the layering of it throughout and how it doesn't need this grandiose moment to make a point, it's all right there for the listener to consume. It's a beautifully crafted.

Also, much respect for rejecting the major label offers and staying true to yourself and your art. I know it's not easy to be offered a huge chunk of money all at once and have the guts to walk away from it even as the dollar amount continues to rise with a couple of top-five songs under your belt. I signed to a record label when I was twenty-two and I know the pros and cons that come with following that path. You were one of the great unexpected music stories of 2025, and if this EP is any indicator, I'm sure that will continue in 2026 and moving forward - sans the "unexpected" label. This was a perfect first offering and I can't wait to see where your journey as a singer-songwriter goes next.


Danse: I am always taken aback whenever you comment on my work, Mr. Hernandez. As a great admirer of yours for many years, the gravitas of these exchanges are not lost on me. I truly appreciate your comments and observations about what I'm trying to do with my work. There's absolutely no denying how much I love country music but it can oftentimes fall into dangerous and generic trappings. I guess the same could be said for any genre. I want to take what I love about the music, the iconic fundamentals of traditional Country and Americana, and imprint my own identity on to them. I am thrilled to hear that "Blueberry" did something for you as I was the most anxious about the feedback on that track. I would say it was the most atypical of the genre with its storyline and a whole plot but I deviated from a lot of the expected sonics. I'm glad that it has gone down well!

As far as a label is concerned, I'm not saying that it is something I would never ever consider in the future. Lord knows a decent budget would help even more ideas of mine come to life. It's just that when you have spent as many years waiting in the wings as I have, you don't want too many cooks interfering in your long awaited shot. I've had so many ideas bubbling under the surface for the longest time and I want to make sure they can come to fruition now that I have the platform. Labels like to chop and change too many things for my liking at the moment.

Thank you kindly for your support and input. Makes me wonder why I didn't try all this sooner.

Originally Posted by: C4AJoh Go to Quoted Post
Ashford: It will come as no surprise given my previous appreciation for your first two singles but this E.P release just extends that appreciation even further. It's a rare debut collection that feels completely timeless and fresh from an artist that has complete ownership of his art and understands completely what sort of artist they want to be. Most debut releases feel out of place in artists discographies when you look back because they haven't quite figured out who they are, this is not the case at all with yourself.

Its creativity and cleverness stands at the forefront of this E.P. There's fluctuations in sounds and styles but with a country and rock and roll heart to it, those two primary genres are completely broad and allow variations and offshoots and you do that perfectly on this collection of tracks. A completely authentic voice from an artist that seemingly has full control and autonomy over his work, it's brilliant to see and long may you continue to excel!


Danse: I am again eternally grateful for your voice and support, Mr. York. I appreciate your acknowledgement of my artistic identity but I can't take too much credit for how refined my sound and image is. I am not a prodigal genius. Unlike a lot of artists who have had a very short turnaround time to piece together their debut projects, I've been involved in music for almost 20 years and have just dragged my heels on giving myself that real push. I have had the luxury of time (and age) on my side, ha! I am, however, absolutely delighted to know that you are enjoying my work. After so many years of self doubt, it is truly heart-warming and humbling to see this rallying of encouragement and support. If only I had started sooner, huh? Thank you so much. I hope I continue to do you proud with the rest of my 2026 offerings.

WEEKEND: BILLY • DUSTYN • OSCAR • RILEY • SCOTT
THE STAT NERDS: BRIAN • CHRISTOPHER
THE ZONE: BLAKE • CHRIS • JASON • LIAM

JOSHUA GRIMMIE • LINCOLN • LAYLA • MERCEDES • MICHELLE GREEN
ANDREA • DENEIL • CHICAGO NOBODY • DANSE • ELLIE-GRACE SUMMERS
REUBEN • VICTORIA BLACK • MICAH DELISLE • BLOOM • KHALIL
JAMIE JACKSON • BEAR • PARKER

CHART HEAT • PESKY • HEART&SLEEVE


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PANIC! on 12/02/2026(UTC)
Offline 2001clay  
#9 Posted : 13 February 2026 08:27:58(UTC)
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Tika Mays: DANSE!!!!!!!! I’m so sorry please excuse my scream cause I’m be on to you for a while like I came across this music from you and normally I don’t do country cause I never really that into that music but when you came I’m sorry you the only country singer I tune to listen more if it like I never get off so soon like oh my god! I’m so glad you won UMA Best New artist cause I was like if he doesn’t win I gonna go scream and cry in the bathroom but whew luckily I didn’t do it jk I really excited to see what you have in store!
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BrownSugar on 13/02/2026(UTC)
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